Treaty of Paris Fall Bastille an Example of the Topic History Essays by

Treaty of Paris Fall Bastille At the end of the XVIII century many European countries witnessed the surge of active struggle for public participation in the state government. Under the influence of new philosophic doctrines the possibility of such participation was declared to be one of the political rights of citizens and even extended to the point of the right to choose the form of government. In America the struggle for self-government transformed into the Revolutionary War for independence against Britain, and in France it turned into the French Revolution which resulted in the overthrow of absolute monarchy. Need essay sample on "Treaty of Paris Fall Bastille" topic? We will write a custom essay sample specifically for you Proceed Thus American Revolutionary War and French Revolution are tightly related. The concept of human rights was one of the staple driving forces for the both revolutions. Revolutionary War in America was conducted under the slogans of the freedom of conscience, liberty, equality, etc. The Declaration of Independence (1776) gained a focal role in this war. It was the first document where the requirements confirming the human rights as the basis for a fair social order had been formulated. The Declaration opens with the words which later were picked up in France: We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness. American Revolutionary War ended by concluding The Treaty of Paris of 1783. Having been signed on September 3, 1783, it formally ended the American Revolutionary War between the Kingdom of Great Britain and the United States of America. The key point of the Treaty was the recognizing the thirteen colonies as free and sovereign States. The Revolution in France (which followed the Fall of Bastille on July 14, 1789) also used the slogan of Liberty, Equality and Fraternity, (although coined during the revolution). Thus on August 26, 1789 the National Assembly in France adopted The Declaration of the Rights of Man and Citizen that included the following statement: The purpose of all political association is the preservation of the natural and imprescriptible rights of man. These rights are liberty, property, security, and resistance to oppression. As we can see the both events, The Treaty of Paris of 1783 and the Fall of Bastille in 1789, became a particular realization of the perpetual strive of people for constructing their state on the principles of liberty and equality. References: Jefferson, Thomas (1776). The Declaration of Independence. Retrieved Oct. 13, 2006 from http://www.ushistory.org/Declaration/document/ Marquise de Lafayette (1789) Declaration of the Rights of Man and of the Citizen. Retrieved Oct. 13, 2006 from http://www.hrcr.org/docs/frenchdec.html

Definition and Examples of Subjunctive Mood in English

Definition and Examples of Subjunctive Mood in English In English grammar, the subjunctive is the mood of a verb expressing wishes, stipulating demands, or making statements contrary to fact.  Etymologically, the word subjunctive is from the  Latin, subjoin, bind, subordinate.  Pronunciation:  sub-JUNG-tif  mood The present subjunctive is the bare form of a verb (that is, a verb with no ending). It does not show agreement with its subject. (Example: I strongly recommend that he retire.) Two patterns of the present subjunctive are generally recognized: Formulaic SubjunctiveMandative Subjunctive The only distinctive form of the past subjunctive is the word were. It is used with singular subjects in conditional sentences and with the subordinating conjunctions as if and as though. (Example: I love him as if he were my son.) Guidelines for Using the Subjunctive The subjunctive may be used in the following circumstances in formal writing. Contrary-to-fact clauses beginning with if:If I were two-faced, would I be wearing this one?(Abraham Lincoln)Contrary-to-fact clauses expressing a wish:At that moment, I had the most desperate wish that she were dead.(Harrison Ford as Rusty Sabich in Presumed Innocent, 1990)That clauses after verbs such as ask, demand, insist, propose, request, and suggest:I demand that he leave at once.Statements of necessity:Its necessary that she be in the room with you.Certain fixed expressions:as it were, be that as it may be, far be it from me, heaven forbid, if need be, so be it, suffice it to say Additional Examples and Observations I wouldnt bring up Paris if I were you. Its poor salesmanship.(Humphrey Bogart as Rick in Casablanca, 1942)Even the dog, an animal used to bizarre surroundings, developed a strange, off-register look, as if he were badly printed in overlapping colors.(S.J. Perelman, quoted by Roy Blount, Jr., in Alphabet Juice, 2008)Well sir, all I can say is if I were a bell, Id be ringing!(Frank Loesser, If I Were a Bell. Guys and Dolls, 1950)If music be the food of love, play on.(William Shakespeare, Twelfth Night)The public be damned.(William Henry Vanderbilt, Oct. 8, 1882)If I see one more shirttail flapping while Im captain of this ship, woe betide the sailor; woe betide the OOD; and woe betide the morale officer. I kid you not.(Humphrey Bogart as Lt. Commander Philip Francis Queeg in The Caine Mutiny, 1954)If there were a death penalty for corporations, Enron may have earned it.In the night he awoke and held her tight as though she were all of life and it was being taken away from him.(Robert Jordan in For Whom the Bell Tolls by Ernest Hemingway, 1940) The Were-Subjunctive (Irrealis Were) Teachers call this by a formidable word, subjunctive, meaning lacking in reality. What it refers to is actually the Fairy Tale Syndrome. If I were a rich man, could be such a mood. It refers to something that is not possible. If the possibility exists, the sentence would read: If I was a rich man. (Val Dumond, Grammar for Grownups. HarperCollins, 1993)Unlike the mandative subjunctive, the were-subjunctive in counterfactual if-clauses is a recessive feature of standard written English. It is not being replaced by a modal but, instead, by indicative was. Would be instead of were in counterfactual if-clauses is still largely confined to informal, spoken English. It is meeting with strong prescriptive reaction, especially in the US. One side-effect of this, so to speak, is hypercorrect use of were in non-counterfactuals. (Geoffrey Leech, Marianne Hundt, Christian Mair, and Nicholas Smith, Change in Contemporary English: A Grammatical Study. Cambridge University Press, 2012) Advice As with the misuse of whom instead of who, . . . using the subjunctive wrongly is worse than not using it all, and will make you look pompous and silly. (David Marsh and Amelia Hodsdon, Guardian Style, 3rd ed. Guardian Books, 2010)The subjunctive mood is in its death throes, and the best thing to do is put it out of its misery as soon as possible. (Somerset Maugham, A Writers Notebook, 1949) The Lighter Side of Subjunctives Detective Sergeant Lewis: All that stonework, must take months to do the pointing.Chief Inspector Morse: Youre not a bloody mason, are you?Detective Sergeant Lewis: No such luck. I might have been a Chief Inspector by now if I was.Chief Inspector Morse: Were, Lewis, if you were. Youll never get on if you cant master your subjunctives. Keep touching your forelock, we may be back in Oxford before lunch.Detective Sergeant Lewis: Shouldnt that be might?(Kevin Whately and John Thaw in Ghost in the Machine. Inspector Morse, 1987)Dancer: [reading a book titled English Grammar and Usage] Julie, you take this whole business about the subjunctive. I dont know.Julian: All right, Dancer, all right. Whats so difficult about the subjunctive?Dancer: Well, you take this, for instance: If I was you. You know? Thats all wrong. It says here, If I were you. How far can you go with this speech stuff?Julian: It sets you up, Dancer. It sets you up. Remember that. How many characters do you know hang around street corners can say, If I were you? How many, huh?Dancer: If I were you. If I were you.(Eli Wallach and Robert Keith in The Lineup, 1958)

Compare and Contrast the Work of Art Thutmose, Nefertiti and Portrait Essay

Compare and Contrast the Work of Art Thutmose, Nefertiti and Portrait Bust Of a Flavian Woman - Essay Example At this point the Romans took the Greeks possessions, art included. Though this form of art is borrowed from the previous works of the Greeks, it has characteristics that set it apart as an early ancient Roman artifact. To start off, there is the concept of idealized beauty. Greeks depicted most of their sculptures with Godly beauty, but in this bust we see a depiction of ordinary human beauty. Secondly, the sculpted woman is young as seen in the youthful features of the portrait. In the Greek art world, older persons in society were the ones worth of sculptures. In this case, however, we see that the artist chose to sculpt a younger woman. The bust has an Etruscan or Roman form because, unlike Greek sculptures, it includes head and shoulders only. Most of Greek artists believed that the head and the body cannot be separated. Finally, the portrait of marble stone and the hair structure utilizes the drilling technique, which is a characteristic of this error (Hartswick and Sturgeon 12 0). Nefertiti This portrait is created by the Egyptian sculpture, Thutmose. Geologists speculate that the work dates back to 1345 B.C. In 1912, a German geologist discovered Thutmose’s Studio and the Nefertiti. The error of the statue is made during the reign of Pharaoh Akhenaton. The Pharaoh at that time had imposed worship of the God of Sun on the people. The evidence from excavation shows that ordinary people did not uphold the Sun worship religion. In a sense, this religion was to cut the powers of the chief priest and eradicate all opposition to the Pharaoh. Therefore, the Pharaoh’s reign is a dictatorship. In this situation, there is a possibility that the artist Thutmose reserved his ideal depictions to impress authority. However, this sculpture is a deviation from the Amarna art as it derives more from Classical Egyptian art than it does from the strict Amarna art principles. Artists relied on geometry and color to depict personalities, especially royalties, as youthful. As the name suggests, the sculpture is a depiction of beauty, Nefertiti, the beautiful one has come. The portrait, made of limestone, has traces of gypsum on the surface (Lazzari and Schlesier 336). Comparison of Two Works of Art Both of these portraits include shoulders and heads. It seems that in both of these errors the head and the shoulders were enough to represent the sculpture of a person. However, the Nefertiti’s shoulders are vertically cut while the Flavian’s are horizontal. This may be an indication of varying approaches in portrait works applied by Egyptian and Roman artists. This aspect of contrast is, however, debatable as art critiques of such historians as Henri Stierlin and Edrogan Ercivan have come up with the claim that the bust of Nefertiti currently displayed is a fake. They lay their claims on the fact that the shoulders are vertically cut rather than horizontally as is Egyptian shoulder cutting culture. They also bring focus to the bus t’s incomplete, left eye. They claim this discrepancy does not make sense considering this in ancient Egypt was a sign of disrespect (Kleiner 58, 179). The use of color is also characteristic of the Egyptian portrait. Color according to many artists gives life to the lifeless forms. The apparent smile on the Nefertiti’s lips gets emphasis from the red color of her lips. The Flavian’s make up for their lack of color through the use of shadows. The